Title: An Ideal Husband

Author: Oscar Wilde

Year: 1895

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FIRST ACT

SCENE

_The octagon room at Sir Robert Chiltern's house in Grosvenor Square_.

[ _The room is brilliantly lighted and full of guests_. _At the top of the staircase stands_ Lady Chiltern, _a woman of grave Greek beauty_ , _about twenty-seven years of age_. _She receives the guests as they come up_. _Over the well of the staircase hangs a great chandelier with wax lights_ , _which illumine a large eighteenth-century French tapestry—representing the Triumph of Love_ , _from a design by Boucher—that is stretched on the staircase wall_. _On the right is the entrance to the music-room_. _The sound of a string quartette is faintly heard_. _The entrance on the left leads to other reception-rooms_. Mrs. Marchmont _and_ Lady Basildon, _two very pretty women_ , _are seated together on a Louis Seize sofa_. _They are types of exquisite fragility_. _Their affectation of manner has a delicate charm_. _Watteau would have loved to paint them_.]

[ _They rise and go towards the music-room_. _The_ Vicomte de Nanjac, _a young attaché known for his neckties and his Anglomania_ , _approaches with a low bow_ , _and enters into conversation_.]

[ _Enter_ Lord Caversham, _an old gentleman of seventy_ , _wearing the riband and star of the Garter_. _A fine Whig type_. _Rather like a portrait by Lawrence_.]

[Mabel Chiltern _is a perfect example of the English type of prettiness_ , _the apple-blossom type_. _She has all the fragrance and freedom of a flower_. _There is ripple after ripple of sunlight in her hair_ , _and the little mouth_ , _with its parted lips_ , _is expectant_ , _like the mouth of a child_. _She has the fascinating tyranny of youth_ , _and the astonishing courage of innocence_. _To sane people she is not reminiscent of any work of art_. _But she is really like a Tanagra statuette_ , _and would be rather annoyed if she were told so_.]

[ _Enter_ Lady Markby _and_ Mrs. Cheveley. Lady Markby _is a pleasant_ , _kindly_ , _popular woman_ , _with gray hair à la marquise and good lace_. Mrs. Cheveley, _who accompanies her_ , _is tall and rather slight_. _Lips very thin and highly-coloured_ , _a line of scarlet on a pallid face_. _Venetian red hair_ , _aquiline nose_ , _and long throat_. _Rouge accentuates the natural paleness of her complexion_. _Gray-green eyes that move restlessly_. _She is in heliotrope_ , _with diamonds_. _She looks rather like an orchid_ , _and makes great demands on one's curiosity_. _In all her movements she is extremely graceful_. _A work of art_ , _on the whole_ , _but showing the influence of too many schools_.]

[Sir Robert Chiltern _enters_. _A man of forty_ , _but looking somewhat younger_. _Clean-shaven_ , _with finely-cut features_ , _dark-haired and dark-eyed_. _A personality of mark_. _Not popular—few personalities are_. _But intensely admired by the few_ , _and deeply respected by the many_. _The note of his manner is that of perfect distinction_ , _with a slight touch of pride_. _One feels that he is conscious of the success he has made in life_. _A nervous temperament_ , _with a tired look_. _The firmly-chiselled mouth and chin contrast strikingly with the romantic expression in the deep-set eyes_. _The variance is suggestive of an almost complete separation of passion and intellect_ , _as though thought and emotion were each isolated in its own sphere through some violence of will-power_. _There is nervousness in the nostrils_ , _and in the pale_ , _thin_ , _pointed hands_. _It would be inaccurate to call him picturesque_. _Picturesqueness cannot survive the House of Commons_. _But Vandyck would have liked to have painted his head_.]

[ _Enter_ Lord Goring. _Thirty-four_ , _but always says he is younger_. _A well-bred_ , _expressionless face_. _He is clever_ , _but would not like to be thought so_. _A flawless dandy_ , _he would be annoyed if he were considered romantic_. _He plays with life_ , _and is on perfectly good terms with the world_. _He is fond of being misunderstood_. _It gives him a post of vantage_.]

[ _She nods to_ Lord Goring, _with a look of amusement in her eyes_ , _and goes out with_ Sir Robert Chiltern. Lord Goring _saunters over to_ Mabel Chiltern.]

[ _Goes out with the_ Vicomte de Nanjac. Lord Caversham _comes up to his son_.]

[ _Enter_ **Mabel Chiltern:** _She joins the group_.]

[ _The_ Vicomte de Nanjac _enters from the music-room with some other guests_. _After having carefully examined all the people present_ , _he approaches_ Lady Basildon.]

[ _They pass out_. Mr. Montford, _a perfectly groomed young dandy_ , _approaches_ Mrs. Marchmont.]

[ _They go downstairs with the other guests_ , _passing_ Sir Robert Chiltern _and_ Mrs. Cheveley, _who now enter_.]

[ _Enter Guests_ , Lady Chiltern, Lady Markby, Lord Caversham, Lady Basildon, Mrs. Marchmont, Vicomte de Nanjac, Mr. Montford.]

[ _Sails out on_ Sir Robert Chiltern's _arm_. Lady Chiltern _goes to the top of the staircase and looks down at them as they descend_. _Her expression is troubled_. _After a little time she is joined by some of the guests_ , _and passes with them into another reception-room_.]

[Lady Chiltern _enters alone_. _The other guests have gone_.]

[ _Enter_ Sir Robert Chiltern]

[ _Exit_ ]

[Sir Robert Chiltern _walks up and down for a moment_ ; _then sits down and buries his face in his hands_. _The Servant enters and begins pulling out the lights_. Sir Robert Chiltern _looks up_.]

[ _The Servant puts out the lights_. _The room becomes almost dark_. _The only light there is comes from the great chandelier that hangs over the staircase and illumines the tapestry of the Triumph of Love_.]

Act Drop

SECOND ACT

SCENE

_Morning-room at Sir Robert Chiltern's house_.

[Lord Goring, _dressed in the height of fashion_ , _is lounging in an armchair_. Sir Robert Chiltern _is standing in front of the fireplace_. _He is evidently in a state of great mental excitement and distress_. _As the scene progresses he paces nervously up and down the room_.]

[ _Enter_ Mason.]

[ _Writes something on the envelope_. Mason _then goes out with the letter_.]

[ _Enter_ Lady Chiltern _in walking dress_.]

[Lady Chiltern _goes out through the door leading to her boudoir_.]

[ _As he reaches the door_ , Lady Chiltern _enters from her boudoir_.]

[ _He kisses her and goes out_.]

[ _Enter_ Mabel Chiltern, _in the most ravishing frock_.]

Lord Goring [ _Turning to her_.] And who is the most ornamental?

Mabel Chiltern [ _Triumphantly_.] I am.

Mabel Chiltern [ _With a little moue of disappointment_.] I wish you were not going. I have had four wonderful adventures this morning; four and a half, in fact. You might stop and listen to some of them.

[ _Enter_ Mason.]

[ _Enter_ Lady Markby _and_ Mrs. Cheveley.]

[Mabel Chiltern _gives a little nod_.]

Mrs. Cheveley [ _Sitting down_.] I thought your frock so charming last night, Miss Chiltern. So simple and . . . suitable.

[ _Enter_ Mason.]

[ _Exit_ Mason.]

Mrs. Cheveley [ _Languidly_.] I have never read a Blue Book. I prefer books . . . in yellow covers.

[ _The butler enters_ , _followed by the footman_. _Tea is set on a small table close to_ Lady Chiltern.]

Mrs. Cheveley [ _Rising_.] I don't mind waiting in the carriage at all, provided there is somebody to look at one.

Lady Chiltern [ _Rising_.] Oh, I hope Mrs. Cheveley will stay here a little. I should like to have a few minutes' conversation with her.

Mrs. Cheveley [ _With an impertinent smile_.] Really?

Mrs. Cheveley [ _Elevating her eyebrows_.] Then life has taught you nothing?

Mrs. Cheveley [ _Leaning back in her chair_.] Do you know, Gertrude, I don't mind your talking morality a bit. Morality is simply the attitude we adopt towards people whom we personally dislike. You dislike me. I am quite aware of that. And I have always detested you. And yet I have come here to do you a service.

Mrs. Cheveley [ _With a bitter laugh_.] In this world like meets with like. It is because your husband is himself fraudulent and dishonest that we pair so well together. Between you and him there are chasms. He and I are closer than friends. We are enemies linked together. The same sin binds us.

[Sir Robert Chiltern _enters from behind_. _He hears his wife's last words_ , _and sees to whom they are addressed_. _He grows deadly pale_.]

[Sir Robert Chiltern _strikes the bell_. _Enter_ Mason.]

[Mrs. Cheveley _starts_ ; _then bows with somewhat exaggerated politeness to_ Lady Chiltern, _who makes no sign of response_. _As she passes by_ Sir Robert Chiltern, _who is standing close to the door_ , _she pauses for a moment and looks him straight in the face_. _She then goes out_ , _followed by the servant_ , _who closes the door after him_. _The husband and wife are left alone_. Lady Chiltern _stands like some one in a dreadful dream_. _Then she turns round and looks at her husband_. _She looks at him with strange eyes_ , _as though she were seeing him for the first time_.]

[ _He passes from the room_. Lady Chiltern _rushes towards him_ , _but the door is closed when she reaches it_. _Pale with anguish_ , _bewildered_ , _helpless_ , _she sways like a plant in the water_. _Her hands_ , _outstretched_ , _seem to tremble in the air like blossoms in the mind_. _Then she flings herself down beside a sofa and buries her face_. _Her sobs are like the sobs of a child_.]

Act Drop

THIRD ACT

SCENE

_The Library in Lord Goring's house_. _An Adam room_. _On the right is the door leading into the hall_. _On the left_ , _the door of the smoking-room_. _A pair of folding doors at the back open into the drawing-room_. _The fire is lit_. _Phipps_ , _the butler_ , _is arranging some newspapers on the writing-table_. _The distinction of Phipps is his impassivity_. _He has been termed by enthusiasts the Ideal Butler_. _The Sphinx is not so incommunicable_. _He is a mask with a manner_. _Of his intellectual or emotional life_ , _history knows nothing_. _He represents the dominance of form_.

[ _Enter_ Lord Goring _in evening dress with a buttonhole_. _He is wearing a silk hat and Inverness cape_. _White-gloved_ , _he carries a Louis Seize cane_. _His are all the delicate fopperies of Fashion_. _One sees that he stands in immediate relation to modern life_ , _makes it indeed_ , _and so masters it_. _He is the first well-dressed philosopher in the history of thought_.]

[ _Enter_ Phipps.]

[ _Goes off grumbling into the smoking-room_. Phipps _enters_.]

[ _Just as he is going towards the door_ Lord Caversham _enters from the smoking-room_.]

[Lord Goring _goes into the smoking-room_. Harold, _the footman shows_ Mrs. Cheveley _in_. _Lamia-like_ , _she is in green and silver_. _She has a cloak of black satin_ , _lined with dead rose-leaf silk_.]

[ _Turns a cold_ , _glassy eye on_ Harold, _who at once retires_.]

[ _Passes into the drawing-room and begins to light the candles_.]

[ _A look of triumph comes over her face_. _She is just about to steal the letter_ , _when_ Phipps _comes in_.]

[Mrs. Cheveley _goes into the drawing-room_. Phipps _closes the door and retires_. _The door is then slowly opened_ , _and_ Mrs. Cheveley _comes out and creeps stealthily towards the writing-table_. _Suddenly voices are heard from the smoking-room_. Mrs. Cheveley _grows pale_ , _and stops_. _The voices grow louder_ , _and she goes back into the drawing-room_ , _biting her lip_.]

[ _Enter_ Lord Goring _and_ Lord Caversham.]

[ _Goes out for a moment_. _Then returns_ , _looking rather put out_ , _with_ Sir Robert Chiltern.]

[ _Enter_ Phipps.]

[ _Enter_ Phipps _with drinks_.]

[Sir Robert Chiltern _comes back_ , _with a look of scorn and anger on his face_.]

[Sir Robert Chiltern _goes out_. Lord Goring _rushes to the door of the drawing-room_ , _when_ Mrs. Cheveley _comes out_ , _looking radiant and much amused_.]

[Mrs. Cheveley _tries to get the bracelet off her arm_ , _but fails_. Lord Goring _looks on amused_. _Her thin fingers tear at the jewel to no purpose_. _A curse breaks from her_.]

[Lord Goring _rushes to the bureau and takes up the envelope_ , _finds is empty_ , _and turns round_.]

[ _He rushes towards her_ , _but_ Mrs. Cheveley _at once puts her hand on the electric bell that is on the table_. _The bell sounds with shrill reverberations_ , _and_ Phipps _enters_.]

[ _Goes out followed by_ **Phipps:** _Her face is illumined with evil triumph_. _There is joy in her eyes_. _Youth seems to have come back to her_. _Her last glance is like a swift arrow_. Lord Goring _bites his lip_ , _and lights his a cigarette_.]

Act Drops

FOURTH ACT

SCENE

_Same as Act II_.

[Lord Goring _is standing by the fireplace with his hands in his pockets_. _He is looking rather bored_.]

[ _Enter servant_.]

[ _Exit servant_.]

[ _Enter_ Lord Caversham.]

[ _A pause_.]

[ _Enter_ Mabel Chiltern.]

[ _Shakes hands with_ Mabel Chiltern, _takes up his hat and stick_ , _and goes out_ , _with a parting glare of indignation at_ Lord Goring.]

[ _Enter_ Lady Chiltern.]

[ _Blows a kiss to him_ , _unobserved by_ Lady Chiltern, _and goes out_.]

[ _Enter_ **Sir Robert Chiltern:** _He has the letter in his hand_ , _and is reading it_. _He comes towards his wife_ , _not noticing_ Lord Goring's _presence_.]

[Lord Goring, _unseen by_ Sir Robert Chiltern, _makes an imploring sign to_ Lady Chiltern _to accept the situation and_ Sir Robert's _error_.]

[Lord Goring _passes into the conservatory_.]

[Sir Robert Chiltern _walks up and down the room with a troubled expression_. _Then comes over to his wife_ , _and puts his hand on her shoulder_.]

[Lord Goring _returns from the conservatory_ , _looking very pleased with himself_ , _and with an entirely new buttonhole that some one has made for him_.]

[ _Enter_ Mason.]

[ _Enter_ **Lord Caversham:** Mason _goes out_.]

[Sir Robert Chiltern _is on the brink of accepting the Prime Minister's offer_ , _when he sees wife looking at him with her clear_ , _candid eyes_. _He then realises that it is impossible_.]

[Lady Chiltern _goes out with him_.]

[Lord Caversham _goes out into the conservatory_. Lady Chiltern _enters_.]

[ _Enter_ Sir Robert Chiltern.]

[Sir Robert _hands her the letter_. _She reads it_ , _and then_ , _with a gesture of passion_ , _tears it up_.]

[ _Enter_ Mabel Chiltern _and_ Lord Caversham.]

[ _Enter_ Mason.]

[Mason _goes out_.]

[ _They all go out except_ **Sir Robert Chiltern:** _He sinks in a chair_ , _wrapt in thought_. _After a little time_ Lady Chiltern _returns to look for him_.]

Curtain